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@creativeriverina
Stay cosy with creative flair in Middlemost this winter!
Repost @middlemost
Wool blanket coats.
Hand crafted using beautiful Australian wool blankets.
Featuring my signature blanket stitch on the edges.
Available online and in store.
#middlemost #handcrafted #bespoke #oneofakind #wearableart #woolblanketcoat #slowfashion #ethicalfashion #sustainablefashion
Congratulations to Wagga based artist Elaine Camlin on launching new works at Orange Regional Gallery!
Repost @elaine_camlin_artist
ORM PROJECT – Launches this Friday!
I am so excited to be sharing the works I created as part of the Orange Regional Musuem Creative Collections Project.
I will be speaking alongside the other two commissioned artists at the launch event and also facilitating a community workshop on Saturday, Threads of Connection.
About the project:
In January 2025, @orangeregionalmuseum selected 3 NSW-based artists to develop a creative response to objects from our collection.
Hear from @lissfinney @laurabakerartist and Elaine Camlin about the objects they selected, their creative process, and see the final product.
At this event, we`ll consider collections, local history and memory, and how creative responses to historic objects can breathe new life into them.
📆 Friday 4 July, 6pm
📍151 Byng St, Orange NSW
Congratulations Louise Adams on being selected as a finalist in the Bowral Waterbrook Drawing Prize!
📷: Repost @louiseadamsaustralianartist
"Very excited to learn ‘Found Objects 2’ has been selected as a finalist in the Bowral Waterbrook Drawing Prize. The standard of work is so high that I didn’t think I had a chance. Absolutely thrilled to be exhibiting in this prestigious art prize. #grahitedrawings #femaleartist "
Artist Talk with Em Shannon ✨
Join Wagga Wagga Art Gallery`s current RAD residency artist Em Shannon for a presentation of her work Allelopathy, where she`ll share insights into the progression of her practice during her time in E3. @emshannonart
📅 Saturday 5 July
🕰 2:00pm – 3:00pm
🎟 Free event – RSVP essential, limited spaces
More info & other related programs here: https://waggaartgallery.com.au/whats-on/programs-and-events
@waggawaggaartgallery
New watercolour work by Stella Evans!
📷 Repost @stellaevans_art
"‘Little Finch’ and ‘Pink Poppies’ now for sale 🌷🦜
Original Watercolour on 300gsm Rough Texture Paper.
21 x 21cm."
New work by multidisciplinary artist Christina Reid!
📷: Repost @christina_reid90
"Currently at Belco Arts, an exhibition of my two favourite things – printmaking and the natural environment. It’s beautiful to see so many different interpretations of a theme from so many artists all displayed in the same place. I feel very privileged to be a part of it.
#printmaking #screenprint #australianart #environment #handprinted #raven #australiannativebirds #riverinacreatives "
Gorgeous textures in Sue Wood`s latest project!
📷 Repost: @paddocknotes
"Composing pages for a new book. Fun and scary in equal parts. Just remember Sue, it’s only a piece of paper! Well, several pieces but nothing priceless.
#artistbook #gelprints #paintonpaper #riverinartist "
Congratulations to Timothy Crutchett on being a finalist in the 2025 Canberra Contemporary Photographic Prize!
📷: Repost: @timcrutch
"Excited to announce this one! My work (created for understories exhibition which was in collaboration w/ @theorchardaus & @dmnmlny ) has been selected as a finalist in the Canberra Contemporary Photographic Prize. Take a gander if you`re about. 17 July – 9 August 2025 at @photoaccess_inc
"Ashes Remain is an image-based reconstruction of a koala skeleton, printed in matte black carbon fibre PLA, becomes a photographic gesture: an image rendered in sculptural form. Composed from 36,000 individual photographs, the number reflects the estimated population of koalas remaining in the wild in New South Wales. This accumulation of images speaks to both presence and precarity, translating a fragile reality into a physical artifact. Like a silver gelatin print cast from a negative, the sculpture is a ghostly material trace of a once-living body captured by light.
The matte black surface evokes the aftermath of the 2019–2020 bushfires, where millions of animals perished, and vast tracts of habitat were reduced to ash. In this context, black is more than an aesthetic choice; it stands as a memorial gesture, echoing the charred landscape and the heavy silence that follows environmental catastrophe. Through the interplay of digital capture and additive fabrication, the work explores absence, memory, and ecological grief.
Through these technological processes, the piece reflects on how we record, remember, and mourn. It’s a gesture of grief shaped by technology, a response to loss that is both deeply personal and painfully global."
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